Omnia Sabry approaches plants as spatial beings, delving into their architecture and their ability to both reflect and transmit images. Her practice is native to film, and departs to photography, book-making, and botany, sometimes extending to multimedia installation. She experiments with the materiality of film and the ephemerality of light. Her work manoeuvres between language and image to conjure memories, shed light on unearthed histories, and dwell on places that no longer exist, are in transformation, or are yet to exist.

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